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Newtown Art Seat public art by Bernadette Smith featured in Marrickville Open Studio Trail during Art Month
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My postgraduate research at Sydney College of the Arts focuses on water in the Anthropocene. Currently my art practice explores the optical phenomenon of water and glass refractions animated through digital media and printed on objects.
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Above: installation at ElectroFringe 17 creates an aurora-like visual drama of digitally recorded scattered rays of sunlight projected through vintage glass of various refractive indices. The water and glass refractions are animated and re-projected through translucent materials using a data projector. In this zone of uncertainty light bounces around liminal spaces transforming itself in a process of disintegration and re-emergence.
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Using my imagery of water overlaid on walls and pavement pedestrians pass through
semi-immersive projections that create a perception of morphing reality to visualise climate change
at Beams festival.
Above: Interactions (on the left) photo assemblage featured in Sydney College of the Arts Showcase at Verge Gallery, University of Sydney.
Experimental photographs shown at Four Walls photography exhibition
semi-immersive projections that create a perception of morphing reality to visualise climate change
at Beams festival.
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Above: Interactions (on the left) photo assemblage featured in Sydney College of the Arts Showcase at Verge Gallery, University of Sydney. |
Experimental photographs shown at Four Walls photography exhibition
Recent Projects
Sculpture at Bayside Arts Festival
Harbour Sculpture Prize
Art Crawl at University of Sydney
Sawmillers Sculpture Prize
Art Crawl at University of Sydney
ACADEMIC BACKGROUND
2015 enrolled Master of Fine Arts by Research at Sydney College of the Arts.
2007 Multimedia Certificate IV Hunter Street TAFE, Newcastle
1988 Master of Fine Art, by coursework San Francisco Art Institute, San Francisco, USA.
1984 Graduate Diploma of Professional Art Studies, College of Fine Arts,
University of N.S.W; Australia. Major: Photography and film/video
1980 Bachelor of Education in Art, University of Newcastle, Australia.
PUBLICATIONS
"A Speculative Field Guide to Blackwattle Bay" published for Sustaining the Seas Conference 2017
"Visceral Art and Political Voids" in Rochford Street Review January 2016
Interview in ARTS ZINE march 2016
"Radical Newcastle" published by New South press chapters 'The Star Hotel Riot and its Legacy' and 'A Hidden History of Stockton Bight'
"Australian Art Responses to the GFC" Arena Magazine No. 132 Oct/Nov 2014
"Behind Government Spin - Dissing the Disabled" Green Left Weekly, December 3, 2011
“From Where I Stand” Australian Fabian News Vol 50, 2010
"Letter to Liao Yiwu" The Guardian 8 June 2011
"Work and Worklessness"paper COFFEE conference 2009 University of Newcastle
Featured on The Art Club TV program, CNN, Singapore, 1998.
“Human Intervention on Australian Beaches”, Surfrider Foundation, 1997.
Playbox Theatre 21st Anniversary Catalogue, Melbourne 1997.
“Of Thoughts and Dreams”, Peter Eastway, Australian Camera, Sept.1991.
“Real Artists Paint Seascapes...”, Bernadette Smith, Art City, Nov. 1991.
AWARDS
2009 Selected Florence Biennale.
2003 Highly Commended for painting, Gosford Art Prize.
1985 Louis B Mayer Award for Post Graduate Film, SFAI, California
COLLECTIONS
Marriott Hotels, Australia
ARCO Experimental Cinema Library, Madrid, Spain.
Kodak Photography Collection, Sydney,
Triton Museum of Art, Santa Clara, U.S.A.
Bibliotheque Nationale, Paris, France.
Fotogalerie Kommunale Friedrichshain, Berlin.
State Library of New South Wales, Mitchell Archive, Australia.
Australian National Film Archive.
view full curriculum vitae here
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Art on the Greenway installation detail by Bernadette Smith part of Leichardt Open Studio Trail 2015
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